For anyone interested in my inking process, here's a few snapshots that show how I inked a 2 page spread for my graphic novel in process.

While pencilling, I try to keep things loose. There are times when I find it helpful to rough in shapes with a red pencil (not sure why, but it really does help me to stay loose)Once I've got it roughed in, I go in with a regular 2H pencil and tighten things up a bit. At this point I'm contemplating light source and basic black and white patterns the shadows will make across the pages.

I've begun inking. At the beginning stages, I use a crow quill ink dipping pen. I love teh freedom of line this gives, and it's so much more expressive and emo than an average tech pen.

And my favorite part. I go in with a windsor newton series 7 no. 3 brush ( I think that's what size it is)I start spotting in large black areas and making use of alot of dry brush in shadows. I recently started using Japanese sumi ink via Doug Tennapel's recommendation, and I can see why as the ink tends to be a higher quality and doesn't dry as fast...also not water proof, so beware.
I was actually able to finish this spread as well as one other over the weekend.